His arrangement was composed to a spare backing track laid down by Mason and Waters, with melodic suggestions by Wright and Gilmour. It could have been called Argument in E Minor for Band and Orchestra."ĭuring the scorching summer of 1970, Geesin, who'd met the band through Nick Mason, laboured in his top-floor studio in Ladbroke Grove on 'Epic' and the score to The Body (with songs by Waters), clad only in underpants. The group's drone is on the tonic note of E, my brass drones pull and twist that in tension, up and down, never settling on it. I find my part embodies a dilemma for and against. "The opening section is clearly a critical statement about the nature of so-called 'progressive rock'," Geesin told The Word's Jim Irvin in August 2008."I've got very mixed feelings about rock music. Ron Geesin, who'd already influenced (and collaborated with) Roger Waters, contributed to the title track and received a then-rare outside songwriting credit. It was the band's first album to reach No. The album was released by Harvest on 2nd October 1970, having been recorded at Abbey Road Studios. To many it marks the point at which Pink Floyd emerged from their post-Syd malaise and found their way forward, towards everything we remember them best for. To celebrate, we've put together another special collaboration with Rockarchive, delving back through our archives to share a selection of historic images and features that tell the story of this remarkable record.ĪTOM HEART MOTHER was the fifth studio album by Pink Floyd. OCTOBER 2020 marks the 50th anniversary of Pink Floyd's fifth studio album Atom Heart Mother.
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